![]() ![]() We hope this list of the 50 greatest movie soundtracks of all time will inspire you to discover some music you haven't heard previously, and we apologize in advance for getting "Footloose" stuck in your head again. While this list certainly celebrates the pre-Napster 1990s, when the recording industry was flush with cash and setting money aside for music licensing became an essential part of the filmmaking budgeting process, we also aimed to include a wide variety of genres, directors, and eras, including the playlist-obsessed present, and we considered how the overall album holds together, not just whether it includes a monster hit song. After all, movie soundtracks are personal. All of these operating guidelines, especially that third rule, may explain why that one soundtrack you rushed out to buy at Tower Records back in the day isn't on this list. We followed - and, yes, occasionally bent - a handful of self-created rules about what qualifies as a soundtrack: no orchestral movie scores (sorry, Hans Zimmer) no traditional movie musicals (apologies, Grease fans) and only one movie per director (Cameron Crowe was particularly difficult). Through this method, he was able to pin Mikitaka Hazekura to a beam by hammering in screws, which were then repelled back out and into Mikitaka, or make scratches on the structure which fired back toward Josuke and hit him after several rebounds.For the purposes of this list, we consider the movie soundtrack to be a unique art form, one with distinct and complicated ties to the history of popular music. Toyohiro takes advantage of this ability offensively: by damaging the tower at specific angles, he can direct the repelled force toward an enemy as a ricocheted attack. įurthermore, if the energy blasts hit the tower itself, they simply rebound against it until it hits someone or the energy escapes. Additionally, any foreign object inserted inside the tower is also violently ejected. A Stand's punch can be reflected in the form of a metal copy of the Stand bursting out of the damaged zone and retaliating against the aggressor, but generally, the damage is reflected in the form of energy blasts. If attacked anywhere, be it one of the pillars or even one of the cables connected to it, the tower absorbs the energy of the aggression and redirects it back to the direction it came from. To protect itself, Super Fly absorbs and reflects any damage done to its structure and back at the attacker. Super Fly reflects the damage done by Josuke and Okuyasu It is possible the victim could be perpetually covered if they do not pull themselves back in time and Toyohiro claims that any would-be escapee will be absorbed into the tower. If the victim attempts to escape it, they will be covered in steel to restrict their movements. Leaving the tower only requires not standing inside the structure, thus Toyohiro could hang on the side of Super Fly while Josuke was trapped. If that happens, the first of the two to exit the tower is free to leave while the other one must stay inside. Toyohiro is the first prisoner of the tower and cannot leave until someone else steps in it. It is mentioned that the energy of the sole prisoner is how it sustains itself. Super Fly's defining ability is that it imprisons one occupant inside it. Would-be escapee becoming part of the tower. Its power of damage reflection means that it is powerful and invulnerable, but anyone is free to exploit the pylon when fighting inside it. Super Fly is an automatic Stand that imprisons its user, Toyohiro, inside it, making it a nuisance. Toyohiro noted that even if he died, the Stand would continue to exist, similar to Notorious B.I.G or Anubis. Super Fly is completely autonomous, since its user doesn't have any control over it. ![]() Super Fly is a Stand automatically bound to a huge electrical pylon, so it can be viewed by non-Stand users.
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